Portal to the Plateau
A Guide to Kulaman Plateau and Its Manobo People, Lost Burial Jars, and Hundred Caves
Thursday, January 28, 2021
Talisay Terminal and Fare Rates
Saturday, January 16, 2021
The Real Name of Twenty-One Falls
Friday, January 1, 2021
Fake Burial Jars
I found out a few days ago that the Kulaman Plateau burial jars at the Silahis Gallery in Intramuros in Manila have been sold out, and I have to apologize to the collectors in case they were encouraged to buy the jars after reading this blog. As I have not been posting here for a couple of years now, I wasn’t able to share with the public an important update: fake Kulaman Plateau burial jars do exist, and they probably include the items at the Silahis Gallery.
I learned about the existence of fake jars when I was involved in a tourism-related project at the municipality of Lebak here in the province of Sultan Kudarat. Here’s what I wrote in the report that I had to submit:
“At around 2 PM on July 10, 2018, the writer, together with other members of the research team, dropped by the barangay hall of Keytodac and had a conversation with some local officials who happened to be in the office. The writer heard for the first time the existence of fake burial jars. The informant named the counterfeiter. But names are withheld here because the information has not been confirmed.
“After about an hour, the team proceeded to the barangay hall of Salangsang, where another informant told the team of the existence of fake burial jars. The informant named three counterfeiters, who were in business in the first decade of the twenty-first century. The informant also said that the counterfeiters would soak the fake burial jars in water with urea to speed up the growth of algae and make the jars look old and authentic.
“Apparently, counterfeiting of burial jars and selling them to private collectors is an open secret in the southern mountains of Lebak.
“This writer has strong reasons to believe that there was truth to the statements of the informants. He has seen burial jars that are purportedly from Sultan Kudarat but looks dubious, primarily because their designs stray too much from the typical features of burial jars as scholars noted. In Silahis Gallery, a souvenir shop inside Intramuros in Manila, one cover in the collection has a figure of a carabao head. In contrast, burial jars discovered in the San Carlos and Silliman explorations are mostly anthropomorphic. The scholars believe the figures indicate the sex of the deceased kept in the jar. Applying the theory, the carabao-shaped figure would indicate that the bones inside the jar are that of a carabao’s. This is preposterous, and the burial jar must have been made by an amateur counterfeiter.
“The jars that are on display inside the Tourism Office of the Municipality of Lebak might also be counterfeit because some of them have animal-like instead of anthropomorphic figures.
“Another possible indication of forgery is well-defined and intricate incisions, possible only with the use of modern tools. Authentic burial jars were carved out of blocks of limestones using crude implements, and because the jars have been left in natural surroundings for around 1,500 years, it is natural for their surfaces to have been weathered.
“Lastly, burial jars that are as small as a typical flower vase must be forgery, too. They are too small to contain human bones, even that of an infant’s.
“The existence of fake burial jars make it difficult for anyone to determine the authenticity of all the burial jars. Only the jars that have been recorded by anthropologists in 1960s and properly tracked can be safely declared authentic. On the other hand, the existence of fake burial jars could make black market buyers suspicious of burial jars claimed to be from Sultan Kudarat, and this could discourage trading of the artifacts.”
(In photo: Me with a collection of burial jars at the municipal hall of Lebak, Sultan Kudarat. Some of these jars may be fake. It’s now difficult to determine the authenticity of Kulaman Plateau burial jars because, I found out in a visit at the municipality, counterfeits were made in the aughties.)
Wednesday, March 7, 2018
The Story of Datu Wasay
The story of Datu Wasay, though, has a sad ending. He sold his property to a Christian man and moved to a more remote area. The price of the property? Seven pieces of pimpong (an explosive device used to kill feeding wild pigs) and one manoso (a bundle of dried tobacco leaves).
Tuesday, March 6, 2018
A Dulangan Manobo Saying
I think the expression reveals so much about the people who use it. First, Dulangan Manobos have a strong sense of justice. When they feel dishonored, whether by their fellow Manobos or by people from other tribes, they seek reparation or even retribution. They can forgive and forget to a certain extent only. Second, they have a negative view of being wet and of taking a bath. As someone who grew up in the same mountains where they live, I can easily understand this attitude. Taking a bath can be such a chore in a cold climate. It can make you sick instead of making you feel refreshed. Being merely wet may also be a problem, especially for people whose only set of clothes are the ones they are wearing, as it had been for many Manobos until recently.
Tuesday, May 9, 2017
Kulaman Burial Jars in Laan Magazine
The magazine generously gave my article a whole spread and half a page, and copies of the magazine were distributed in government agencies and business establishments, and tucked in the seats of the Executive Class units of Yellow Bus Line, a la Smile magazine of Cebu Pacific airline.
I wasn’t able to attend the launch, so I don’t have my own copy of Laan, and I don’t have my own photos of the article. But below are the cover page and the contributors’ page, which I grabbed from the Facebook account of the magazine. My special thanks to Louie Pacardo, the managing editor and a fellow blogger, for asking me to contribute.
Monday, May 8, 2017
Kulaman Burial Jars in Tau SOX Festival
I’m back, after almost a year of not touching this blog. (My “latest” posts, dated half a year ago, had been prescheduled.) I can’t promise to blog regularly again, but I will post important updates.
I’ve been preoccupied with a lot of other matters, especially literary activities. Other local writers and I, I’m proud to say, have done many things, most of which were firsts. We formed writers associations, albeit informal for now. We created Cotabato Literary Journal, a monthly online publication. And we organized several poetry readings and writing seminars. I was also diagnosed with a mental illness, and I’m still on medication up to now. (But don’t worry, I’ve gotten so much better.)
As to the updates I must share with you, let me start with Tau SOX: Festival of the First Peoples, organized last year by the regional office of the Department of Tourism. The one-week event aimed to highlight SOX (short for SOCCSKSARGEN) as a land where early men (tau) lived. The organizers invited me to give a talk on the limestone burial jars of Kulaman Plateau, in a forum that also included a talk on the clay burial jars of Maitum and a talk on the burial practices of Tedurays.
I wasn’t able to take good photos and extensive notes of the event, so if you want to know more about it, check out the news article on NDBC and the post by local blogger Hajar Kabalu. Truth be told, I had a very small audience, even if the venue was the activity center of a mall. It was past lunchtime when it was my turn to speak, and most attendees had gone somewhere else. Nonetheless, I believe the right people stayed and listened, and I’m glad for the opportunity to spread more awareness of Kulaman burial jars.