My friend Gracielle, who divides her time between Cotabato City and Davao City, served as my tour guide when I visited Davao Museum. I don’t know my way around Davao myself, so I can’t tell you how to get to Insular Village from any point in the city. But below is a photo of the entrance of the subdivision. That’s where we got off the jeepney that we were riding. If you’re taking a taxi or you have your own ride, I think you may enter the subdivision. Just have your name registered and get a visitor’s ID at the guardhouse.
From the gate, walk for some twenty meters, turn right, walk for some fifty meters, turn left, and then walk for some one hundred meters. To your right is the whitewashed Davao Museum, which occupies the whole area of the two-story Zonta Building. The Kulaman jar is in the Carlos O. Dominguez Jr. Gallery, on the second floor. It is displayed with other burial artifacts, such as wooden grave markers from Sulu and pottery from Gigantes Island and Samal Island.
The limestone burial jar most likely came from Barangay Salangsang, Municipality of Lebak, Province of Sultan Kudarat. I read somewhere before that it was donated by the Ayala Museum. This must be true, because according to a marker near the entrance of the museum, the benefactors of the museum are two Zobel de Ayala dons. The Ayalas co-sponsored the burial jar exploration that was conducted in Salangsang in 1960s by anthropologists who were connected with Silliman University. Some of the jars were given to the university’s museum, in Dumaguete City, and the better-looking ones were taken to the Ayala Museum, in Makati City. The best thing about the jar in Davao Museum is that it is shaped like many of Kulaman Plateau jars. When you see it, you get a glimpse of everything else.
The entrance to Insular Village
My friend Gracielle, a nurse who writes essays, in front of Davao Museum
Because the lighting is controlled inside the
museum,
you can barely discern the flutings on the Kulaman
jar. For a clearer
image, check out this booklet.
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